Showing posts with label Nostalgically Speaking. Show all posts
Showing posts with label Nostalgically Speaking. Show all posts

25 August 2011

REPOST: Is Worth...

Assisi en il Cuore Verde
 
Fingertips trail ancient walls, the occasional tree gets hugged; the mood of a city filters in through my senses. Years later, a sound or scent or taste will take me right back. Even better, I have only to call the experience up in memory to know how a place felt. I've learned that snapping pics along the way tends to inhibit, rather than inspire this process.

During the first leg of my first European journey, I took reams of pictures. The Moms recorded video and snapped photos of every train station and street corner across five countries. And for a while, their camera-enthusiasm was infectious and I clicked along with them. My prepared travel mode; plugged into my CD player, the book in my hand a handy camouflage; was great for savoring a city and it's denizens. In addition to providing a soundtrack for my memories, the music calmed me during the hectic rush between taxis, trains and buses. Reading a book is a great way to observe unobserved. And because Rory Gilmore and I were separated at birth (omigosh...just realized, that the phrase "could be my daughter" is more applicable...ouch) far too many books weighed down my luggage when the trip began. I developed the habit of leaving them behind when they were. To this day, I wonder about the travels of those who read them after me...and whether they were as freaked out as I was by the ending of Carol O'Connell's "Judas Child".

Giving up my camera however, was, like most good things that happen while traveling, an accident. Five weeks into the trip, the Moms had gone. My travel partner and I were spending two weeks at a resort just outside of Assisi. A resort, which, due to an extended fight  with my friend and the determined pursuit of the Neapolitan handy man, was feeling just a tad cramped. So a beautiful snowy day found me in Siena, a couple of trains and a bus away...without my camera

Dang it.

Only, not so much.

I remember scattering pigeons as I crossed the piazza, cursing my forgetfulness. I can feel the suspicious gazes directed at me from the white haired ladies on the bench ahead. I walked all over old Siena that day, not missing my camera nearly as much as I thought I would. And then I found it.

Down some side street, I will never find again was a gallery of modern art. They were just opened, some of the rooms had not yet been finished. The art...it was mostly okay. Some pedestrian, some self-consciously cool, with a couple of truly awful and brilliant pieces thrown in. I went up and up and up,  and was on the roof. To this day, I'm not sure whether it was the installation or the view which first took my breath. Maybe it was one of those moments where art and life collide to create an impression far more evocative than either could on its own. It's true, I know; a good photo of the scene would be more descriptive than words. Instead the experience is private, jealously guarded in my own heart.

An immortal moment...something in Siena which exists only for me.

26 July 2011

A Picture...

Photographs have been popping up in the oddest places. While slowly unpacking boxes from my 150th move in the past 5 years, old and/or forgotten snaps are unearthed. From the desk box, emerged a tattered envelope containing pictures from my 'surprise' party 11 or 12 years ago. My German Grandma let it slip the surprise by asking me to confirm the time it was to start. Too funny. I look so...I want to say young, but (thanks to my mother's fabulous genes, I haven't changed all that much) a more appropriate word is uncertain, hopeful; and a girl lacking any notion of the woman she'd become.

In the same box is a picture of one of my dearest girls, at ages 2. In the photo, Lorelei, a blonde angel in a puffy pink jacket and her friend Rosie are absorbed in a school project. The frame is handmade, cut from yellow and orange construction paper, decorated with the squiggles and dots of a marker. I can still see Laur running over to present it to me.

Six or seven years ago, the golden shoebox, which holds a couple of decks of cards and other odds and ends, produced a pic of the girls who warrant Most Favored Nation status. It's of a later vintage. I had already left them when Lisa sent me this pic of Laur and Allie. By then, I'd crossed the Atlantic for the first time. I had eaten brussel sprouts in Brussels, gotten lost in Rome, Marseilles, Paris and Florence; and played the balcony scene with a Napolitano Romeo in Umbria.

When the photo of my favorite girls arrived, a couple of years later; my grand adventure was over and everyday life was kicking my butt. Worse, the thought that I might not realize my dearest hopes and dreams, had reared it's ugly head. For the first time in my life I'd jettisoned a friendship, taken a full-time job, and acknowledged (if only to myself) that the kink in my health was not something I could 'power through'. In that moment, the picture of these smiling girls at the ocean was hard to take. I missed them, I missed what used to be known as my life.

When I find the picture again a few weeks ago while going through the gold shoebox for the umpteenth time (I'm sure there's something important in there that I missed last time), the girl's peek out at me. This time, I know joy with maybe a hint of nostalgia. Okay, and perhaps...perhaps, the teeniest bit of regret, sympathy for the girl I was then. The girl who had not yet learned how to reconcile the life she dreamed with the life she owned.


  
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09 May 2011

REPOST: The Library Book

I love libraries. They are, quite literally, the places on earth I feel most comfortable. Reading is a solitary experience, but the communal nature of library reading infuses it with a sense of...family, in a way. We belong to physical families as a result of genetic similarity, library familiality is a result of like-mindedness.

My favorite thing, which is what has happened with my current book, Readingsby Sven Birkerts, is finding the receipt of a previous patron stuck between the pages of the book. Indulging myself in Birkerts' musings about reading and time and the human condition has opened a doorway to a place I barely remember but for which my longing has never died. That pure...simple place where exists the exquisite and innocent joy wrought by everything related to reading.

Books...the way they smell, the weight of a volume in hand, the texture of the page...are approached with the pitcher's intent ritual treading of the mound, with the sommelier's expert palate. Reading...that moment when when letters and punctuation vanish from the page and the mind leaves this world and enters another...is a meditation, a cleansing of thought and an unfettering of spirit. It's a way of taking a vacation from one's self. To view the world through new eyes, to experience our hearts desires expressed in words we cannot find ourselves; "we read to know we are not alone", as someone said.

So a year ago, this guy in Napa checked Birkerts' book out of the library. Readings, which is basically a book about books and the way in which they can help us make sense of our swiftly tilting, sharply spinning world; or if not make sense, at least give us a vocabulary with which to express our confusion. I love Birkerts' clear, spare, unsentimentalized sentiment, he expresses his thoughts in a way that gives me plenty of room for my own and I find the experience of reading Readings rather like enjoying a sherbet after dinner; a delightful preparation for the dessert of deep thought.

I wonder what Napa Guy thought? Does he feel as I do about Birkerts's writing? Does he find it difficult, as I do and Birkerts does, to reconcile our present with our recent past and near future? Does he relish the gifts of libraries and of books as much as I?

27 December 2010

REPOST: Heard On The Bus

I am a reasonably well brought up girl, brought up  in the suburbs with, to a large extent,  small town values. 'Please' and 'thank you' are tattooed on my DNA, and the idea of occupying (say on a bus) a seat while someone older or more infirm than myself is unthinkable. Unthinkable to a degree that I've never given the objects of courtesy much thought at all. When I thought of the elderly at all, you know, in the group sense, it was as I knew them in my own smallish burg. Quiet, well-mannered, nice, etc.  However, it never occurred to me to wonder, what they're like. What they are really like among themselves. 

What were they like when thrown together in public, at the front of a bus this one with cataracts, that one hobbling on a walker, another in a wheelchair? My role in such situations is clear, to provide assistance and get out of the way. The pecking order is clear, age and experience, 'there but for the grace of god', 'this'll be me one day' and all that. And it was that role which provided me for the first time a fly on the wall perspective of how one might behave when a member of the Silver Wing of bus riders, a club in which everyone is just as infirm as you. 

One of my good friends and I are standing on the bus after a day of sightseeing, barely speaking. But...let's not go into that. We're standing toward the front, when it comes to a stop. A gravely voice somewhere in the direction of my right elbow comes to me. "Excuse me...excuse me," it growls. "Watch your feet." An older man wearing a baseball cap rolls into sight, attempting to maneuver his small mechanical wheelchair past the other seniors who occupy the front of the bus. "Excuse me, watch your feet," he repeats. Things are going well, well relatively well, considering the crowd on the bus.  

Oops, spoke to soon.

"Wait a minute! Wait a minute! (Blasphemy!) (Profanity!)" A white-haired old guy with wrap around sunglasses takes a couple of aborted leaps into the air. "You're running me over! (Blasphemy!) (Profanity!)" "I said, 'watch your feet'." The fracas dies down as the old guy in the wheelchair manages to wedge himself into the doorway. As the bus's lift lowers him to the ground,an elderly Chinese man with a New York accent speaks up. "That chair (two syllables)--it's so big! You'd think he'd pick a smaller chair." "These schmucks in wheelchairs," the old guy with the sunglasses growls back, "most of them got no consideration at all." Aahh...welcome to San Francisco.

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03 May 2010

...A Thousand Words

I'm shy.
Sort of.
Not really.
Okay, it's like this. It's my face. I have zero control over what appears on it. Every stray thought and emotion starts in my eyes and makes its way over my lips and cheeks (complete with wait for it...a visible blush. Lovely!) and into my eyebrows.There are few people who like playing their cards close to the chest more than I. There are even fewer who are as spectacularly bad at it as I am.

Want to know what Maya *really* thinks? Ask her a question and then watch her face.

Perhaps, there is some lingering tribal suspicion regarding little soul-sucking boxes, perhaps not. At any rate, the notion of my naked soul, preserved in the moment for whomever cares to see; sets off reflexive butterflies in my gut. The idea of seeing revealed and preserved some stray thought not covered by my personal Freedom of Information Act freaks me out. So when "smile pretty for the camera" time comes around; what would I do? Go blank and paste on a smile.

This is crazy. I know it's crazy. None of us can expect to move through the world completely invulnerable. Our vulnerability is what elicits the best of human emotion in others; compassion, empathy, generosity, protectiveness, love.

Still, in my younger days, my primary goal was self-containment. This woman was an island. Looking back, I realize few people were more ill-equipped for that role than I. At my core, I feel deeply connected to humanity, it is in my nature to love deeply and forgive freely.I'm a sap. Such people are rarely invulnerable. Why was I so afraid for others to catch a glimpse of that girl?

Nowadays I'm better. But still, If you want a great picture of me, don't let me see you comin'.

26 April 2010

REPOST: Is Worth...



Fingertips trail ancient walls, the occasional tree gets hugged; the mood of a city filters in through my senses. Years later, a sound or scent or taste will take me right back. Even better, I have only to call the experience up in memory to know how a place felt. I've learned that snapping pics along the way tends to inhibit, rather than inspire this process.

During the first leg of my first European journey, I took reams of pictures. The Moms recorded video and snapped photos of every train station and street corner across five countries. And for a while, their camera-enthusiasm was infectious and I clicked along with them. My prepared travel mode; plugged into my CD player, the book in my hand a handy camouflage; was great for savoring a city and it's denizens. In addition to providing a soundtrack for my memories, the music calmed me during the hectic rush between taxis, trains and buses. Reading a book is a great way to observe unobserved. And because Rory Gilmore and I were separated at birth (omigosh...just realized, that the phrase "could be my daughter" is more applicable...ouch) far too many books weighed down my luggage when the trip began. I developed the habit of leaving them behind when they were. To this day, I wonder about the travels of those who read them after me...and whether they were as freaked out as I was by the ending of Carol O'Connell's "Judas Child".

Giving up my camera however, was, like most good things that happen while traveling, an accident. Five weeks into the trip, the Moms had gone. My travel partner and I were spending two weeks at a resort just outside of Assisi. A resort, which, due to an extended fight  with my friend and the determined pursuit of the Neapolitan handy man, was feeling just a tad cramped. So a beautiful snowy day found me in Siena, a couple of trains and a bus away...without my camera

Dang it.

Only, not so much.

I remember scattering pigeons as I crossed the piazza, cursing my forgetfulness. I can feel the suspicious gazes directed at me from the white haired ladies on the bench ahead. I walked all over old Siena that day, not missing my camera nearly as much as I thought I would. And then I found it.

Down some side street, I will never find again was a gallery of modern art. They were just opened, some of the rooms had not yet been finished. The art...it was mostly okay. Some pedestrian, some self-consciously cool, with a couple of truly awful and brilliant pieces thrown in. I went up and up and up,  and was on the roof. To this day, I'm not sure whether it was the installation or the view which first took my breath. Maybe it was one of those moments where art and life collide to create an impression far more evocative than either could on its own. It's true, I know; a good photo of the scene would be more descriptive than words. Instead the experience is private, jealously guarded in my own heart.

An immortal moment...something in Siena which exists only for me.

16 July 2007

Heard on the Bus

I am a reasonably well brought up girl, brought up  in the suburbs with, to a large extent,  small town values. 'Please' and 'thank you' are tattooed on my DNA, and the idea of occupying (say on a bus) a seat while someone older or more infirm than myself is unthinkable. Unthinkable to a degree that I've never given the objects of courtesy much thought at all. When I thought of the elderly at all, you know, in the group sense, it was as I knew them in my own smallish burg. Quiet, well-mannered, nice, etc. But it never occurred to me to wonder, what they're like. What they are really like among themselves. What were they like when thrown together in public, at the front of a bus this one with cataracts, that one hobbling on a walker, another in a wheelchair? My role in such situations is clear, to provide assistance and get out of the way. The pecking order is clear, age and experience, 'there but for the grace of god', 'this'll be me one day' and all that. And it was that role which provided me for the first time a fly on the wall perspective of how one might behave when a member of the Silver Wing of bus riders, a club in which everyone is just as infirm as you.



So . . . absolutely, complete and utter true story:




One of my good friends and I are standing on the bus after a day of sightseeing, barely speaking. But...let's not go into that. We're standing toward the front, when it comes to a stop. A gravely voice somewhere in the direction of my right elbow comes to me. "Excuse me...excuse me," it growls. "Watch your feet." An older man wearing a baseball cap rolls into sight, attempting to maneuver his small mechanical wheelchair past the other seniors who occupy the front of the bus. "Excuse me, watch your feet," he repeats. Things are going well, well relatively well, considering the crowd on the bus. Oops, spoke to soon. "Wait a minute! Wait a minute! (Blasphemy!) (Profanity!)" A white-haired old guy with wrap around sunglasses takes a couple of aborted leaps into the air. "You're running me over! (Blasphemy!) (Profanity!)" "I said 'watch your feet." The fracas dies down as the old guy in the wheelchair manages to wedge himself into the doorway. As the bus's lift lowers him to the ground. An elderly Chinese man with a New York accent speaks up. "That chair (two syllables)--it's so big! You'd think he'd pick a smaller chair." "These schmucks in wheelchairs," the old guy with the sunglasses growls back, "most of them got no consideration at all." Aahh...welcome to San Francisco.



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18 March 2007

AFI? Schm-AFI...We'll Make Our Own List

As an upstart movie snob I of course take severe issue with the AFI's Top 100 Movies of the last century. They are, in my opinion either insane or deluded. Okay...and so am I...maybe...a little bit.
The point is that movie-watching is an incredibly personal experience, I'm less interested in the what than in the why.  Artists especially are deeply infuenced by film, or perhaps are merely able to do a better job of articulating the whys and wherefores for everyone else. At any rate, I'm starting a list and would love to know what you think.
What, are the five most important films in your film-watchin' career and why? 
I'm starting the list with my top 5, in no particular order.
Bringing Up Baby (1938, Howard Hawks)
Night of the Hunter (1955, Charles Laughton)
The Browning Version (1951, Anthoy Asquith)
Tango (1998, Carlos Saura)
All About Eve (1950, Joseph L. Mankiewicz)
These five films have had the greatest (I'm pretty sure about this) impact on my career as a film buff. Seeing each one changed something in the way I watched movies forever after. 
Howard Hawk's Bringing Up Baby was my introduction to the world of the screwball comedy. I'd no idea it was possible to laugh so much during a movie that didn't involve  bodily function humor.
My brother and I saw Laughton's Night of the Hunter one afternoon when we were supposed to be doing our homework. I think it came on like, A&E, when they used to show classic films. I had literally never been so frightened in the middle of the day. That began my love affair with thrillers in black and white.
The Browning Versionis a film I saw more recently. I'd heard of it of course, but had only the vaguest idea of it's existence. I don't remember now why I Netflix'd it, only that it blew me away. On the surface, it is a film in which very little happens but just under the surface, plays a tragedy of Shakespearean proportions. I've always been fascinated by the ability of the movies to show us two completely opposite realities at once. Asquith's The Browning Version is a defining example.
 Seriously, I've had musicals on the brain since early childhood but until Tango, I never knew the power a musical film can exert. Saura's Tango tells complicated stories, a private story of memory and regret,a human one of tyranny and oppression. The film is beautifully shot by Il Maestro, Vittorio Storaro and  uses the Argentine Tango as most peope have never seen it, as its narrator.
All About Eve? Bette Davis, 'nough said.
But of course, I'm gonna say more. This is the movie that helped me fall in love with the theatre (spelled 're' please darlings) and the idea of acting. 

23 February 2007

Over The Rainbow; But Not If I Have To Go With That Dorothy Girl

Am I the only person, who when the Munchkins sang Ding, Dong, The Witch Is Dead, felt a little sorry for the witch?

It's just that I can recall as a child watching the Wizard of Oz for the first time; and feeling it unseemly (yes, 'unseemly', I didn't know the word at the time but looking back I recognize the sentiment. I was a four year old maiden aunt.) to celebrate anyone's death so tunefully. Then I began to think on how lonely the witch must have been if an entire land of people, even if they were very small, were so happy to see her die they burst into extemporaneous and dare I say, award-worthy song. And that perhaps if she had not been so lonely she would not have been so bad. Thus spake the thoughts of an infant Maya; she and Dorothy, forever out of tune.

26 July 2006

Number 5 Is ALIVE!!

Does anyone else remember that movie; Short Circuit? My brother and I must have watched seen it . . . what, like eight hundred times; and every time we came back from the video rental place (What was the name of that store?) clutching its video box in our hot little hands (and yes I mean 'hands' plural, there was almost always some argument about who got to hold the box, that usually ended with an equal distribution of carrying time), my Dad would start a rant the pre-film rant; you know the drill: "There are other movies in the video store. Why don't you get one you haven't seen twenty times." And then there was the 'during-the-movie' rant: As Jason and I broke up at the same places; ("Hey laser lips! Yo mamma was a snow-blower!") "How can this still be funny to you? You've seen it fifty times." Usually said during valiant attempts to quash his own laughter. And then there was the eye-rolling which took place during our 'Who's Johnny? Dance' when the song by El Debarge played (remember El Debarge?) My poor father. The evenings he suffered and the hours of his life that live in that movie. Because it never ended with the watching of the movie itself. He also had to endure the post-viewing-celebration, usually consisting of: jumping around while singing the one verse we knew of Who's Johnny?, random yelling ( we were kids, and so had two volume levels: loud and off) out of lines ("I am standing here beside myself.") and then inevitably, someone would call someone else 'laser lips', which is when the real trouble began.

You can imagine my dad's relief when we grew up a little and moved onto other film choices. And then they came out with Short Circuit 2.
Can anyone say . . . marathon.?

26 March 2006

Solano Rep, Missouri Street Theater and It's An Actor's...

Life For me.

I spent an evening in a pretty amazing place speaking with some pretty amazing people. Before I get into specifics--I'm gonna brag a little.

When I was four years old my family moved to a smallish city in Northern California called Fairfield. The two main industries were Travis Air Force Base and some variation of farming...or something (you can guess into which of the two demographics my familly fell). The main drag was, and is the very wide Texas Street, built wide to make room--not for rush hour traffic--but for tractors and cattle. School was an interesting brew, an atmmosphere that developed from throwing kids who have grown up all over the world and kids who had never left the county together in one room. Left to it's own devices (minus Travis AFB) Fairfield's demographic was primarily agricultural, Mormon and white. Air Force culture could not have been more different in every way, infusing the area with an amalgam of cultures, colors, languages and fresh ideas. As a kid I remembered being fascinated by the contrast, and the manner in which the two worlds melded...or collided.


Okay, technically, you don't need to know all of this in order to get the rest of the story. Maybe. I do think the social makeup of the town is one of many factors that contribute to the little tidbit I'm about to convey.

In an area of something more and something less than 150,000 people, there are something like a dozen theater groups and nearly a dozen performing arts theaters or performance venues. And the number continues to increase. Can I talk about how much I love my town?

Last Thursday I was to meet with a woman whom I'd long admired and about whom I'd been curios for years. An actor, when Barbara Norris moved to Fairfield, she could find very little in the way of local theater work. And so, being the intrepid soul she is, she began the Solano Repertory Theater company and hasn't looked back since. She acts and directs and manages her company and contributes her time to local community arts efforts. So now, I have this magazine and I thought, 'Cool, I can go be nosy.'

When I arrived at our meeting place, it was to discover that yet another theater and theater company had sprung up. The Missouri Street Theater and Theater Academy, made available for the purpose by Pam Spering, and presided over by Serena, Sylvia and a few other wise women who have turned a suite of offices into small theater and arts academy. Have I mentioned how much I love my town?

04 February 2006

On Being Vulcan, Part 1

****The New News****
Scooooore! Last Friday I completed an interview with the lovely and talented Kriss Turner, head writer for Everybody Hate's Chris and screenwriter of the new film 'Something New'. But, yes...that's right. I'm transcribing look for the article next Friday. She was very cool and it was a great conversation.
****The New News****


When I was ten or eleven my cousin Cynthia nicknamed me Mr. Spock.

We were at the waterslides in Manteca, dripping wet and barefoot, padding from one ride to another on a hot summer day. You know, the kind of hot you can only get in that particular part of California...all pine needles and red dirt. She'd said something--I have no idea what. I do remember my ten or eleven year old brain considered my older cousin to be one of the most irrational creatures alive.

My knee jerk response to whatever it was she'd said was likely along the lines of what 'made sense' or what 'logic demanded' (oh yes...I was one of those kids). It was, of course an incredibly irritating thing to say. I had not yet learned the value of sugar coating the truth for the sake of not being annoying. Operating as I did on the principle that Truth was Truth; its wardrobe was beside the point. Speaking the Truth (and no, in my head there was no "as I saw it" caveat to handicap me) was my responsibility, receiving it, the listener's problem.

So anyway, on this hot summer day while I was being annoying and my cousin was being irrational (she was! that much, I'm sure of) at the waterslides she called me Mr. Spock. I still remember the little thrill I felt as she spoke. Mr. Spock! Very cool.

"Thank you." I said. This of course annoyed Cynthia further...and really...I was a pill. There are few things more exasperating than making person feel complimented while attempting to offend them. One of which, is having to explain to the complimented person that you are insulting them and then having them (patiently) explain why you're wrong and then describing the manner in which your epithet was really a rather nice thing to say. Which is what I did next. Then the conversation hit a lull.

You will find it hard to believe, but Cynthia and I have never been what you (or anyone) would call close. The years, our disprate upbringings and interests thoroughly divided us. But her comment stuck with me. Mr. Spock...I prided myself on the moniker. It helped give flesh and in strange way, a role model to the nebulous sense of ease thinking my way through a situation always brought. There was comfort in having the ability to analyze a situation and know the logical response, to know what 'made sense'. It was like math for living. When I was young (very young) I took this ability to mean that (apart from a bloody temper)I was bereft of emotion...an emotion-free zone. And when I was a child that seemed...safe.

04 December 2005

Happy Sunday!

I went this afternoon to Johnny Carino's with pos business partner Gene. It's funny what putting a face to a voice can do. We've been talking on and off for about two years now and Gene has the most wonderful voice, deep resonant, warm...I've never felt a need to guess at his appearance, I always feel prepared to like people endowed with nice speaking voices.

But something happens sometimes when one is suddenly able to match a face with a voice. This afternoon sitting across from an attractive man of a 'certain age', we were having reasonably pleasant conversation when something happened. The light hit him a certain way, or there was a particular expression which passed over his face and suddenly he reminded me of someone else. This person who, by simply picking up the phone, always managed to impart a sense safety and calm; suddenly reminded me of someone in my past who was the very model of insecurity and irrationality.

Nils and I worked in the same office. He was a person under pressure and, subject either to the trauma of a recent divorce or life-long insecurity, was quickly becoming unstable. I was working as a temp and Nils worked just under the VP who was head of our section. It was a very small department there were five of us closeted away in the back of the building in a small area divided into even more closet-like cubicles. Nils arrived a few weeks after I did, a welcome breath of testosterone in a heavily estrogenated environment.

He was warm and funny. And had the most wonderful voice, deep, resonant, warm. I realized that some of his good humor was showmanship and some of his magnanimity was bribery, and was aware of the tint of desperation which colored them both. However, that sort of thing mattered little to me, I'm often able to "see" these things in people; the weak and the strong, the good and the evil, the beautiful and the ugly, these contrasts are what make my fellow beings all the more awesome, a stained glass mosaic. I don't need people to be all one thing in order to feel safe, but I do need to know them. So I knew Nils and was prepared to like him very much, he was the Pied Piper. Wherever he was people gathered around, he was a one-man break room. It was fun. I didn't feel a need to join in with the crowd, I very much enjoyed observing, liked the way he altered the atmosphere.


Now that I think on it, though I couldn't have been more of a fan; to person who needed everyone to engage, to go along with him on his magic carpet ride; my withdrawal, though benign, must have seemed threatening...judging. At any rate, he made me a target.

I was only a temp after all, the perfect person with whom to vent his rage. The complimentary interest Nils showed when he first arrived (what was I reading, where I had been, what I had done, what did I want from life) now paid off in fuel and ammunition. It was all very jolly and 'hah, hah, all in good fun.' However the punchlines of his jokes began to pack an actual sting. He made a thing about his having a PhD and the fact that I never finished college. At first, I barely noticed. I'd never felt particularly sensitive about not having a degree, I always felt my intellectual worth was apparent to those who had need of it, and irrelevant to everyone else.

He used to do this variation of an old joke from Night Court which went, "You may be younger, you may be faster, you may even be smarter. But you will NEVER, EVER, be crazier... than me." Except that he would say, "You may be younger, you may be smarter, you may be better looking than I am..." And then he'd sort of trail off with a mock-sheepish expression and shrug his shoulders, as if to say, "Well, that's it."

On this particular day, he altered the joke slightly just for me, instead of the 'everyone join in on the fun' self-deprecatory punchline, he finished up with, "But I'm better educated.", his forefinger stabbing the air in front of me and then he walked away.In front of everyone in our department. Things went pretty much downhill from there. Nils was not consistently crabby or scornful, just sometimes, a couple of times a week, we'd be having a perfectly pleasant conversation, and then suddenly, there it would be, a dig about my lack of education, an allusion to what he imagined to be my lack of credit-worthiness (we worked in a financial institution) or general nastiness. But always cloaked in good humor or 'helpfulness'.

Everything was so out of balance and off-kilter, at that time anyway. The Columbine shootings had just happened and I spent most of that day in tears. For the first time there was nothing going on in my life that made me feel I was doing my bit for the world. I had a ridiculous job that meant nothing to anyone outside of the building. Financial need had forced me to drop out of the full time ministry work I valued so much. Here were these children, being gunned down in a place where they should have felt safe and there was no place I could go inside myself to mitigate the pain of that. All I could do was keep listening to the news reports, there was nothing I could do to help, except know.

Anyway, Nils. When people are mean or unjust, I simply declare war and think no more about them. But when they are sometimes one thing and sometimes something else, I have a hard time. I sense a struggle and I feel sympathy, plus I want to like them. I want them to be the sort of person they are striving for when they are behaving in an approximation of their best selves. It's harder for me to protect myself with the sort of weapons I would use against a consistent jerk. So between my own pre-existing fragility and his split personality, I just couldn't seem to go to red alert. No shields went up, no photon torpedos were armed. He'd just blast away from time to time and I'd take the hit.

I did find out later that he left not too long after I did (Can't remember whether he quit or was fired). According to my former co-worker, Jill his behavior became increasingly erratic. And the bullying tendencies which had been primarily aimed at me when I was there, were scatter shot a bit farther afield, aimed at far less vulnerable targets than a lowly temp. I think he was fired, or left just ahead of being fired ...or something.

It's strange, this was nearly five years ago and yet I still get a memory sense of that shaky, scared feeling one gets when being locked in a room with an unpredictable animal or walking a tightrope without a net.

And now that I've met Gene and that moment of fleeting recognition has come and gone, as much as I want to go back to my previous memory; that sense of comfort and safety, my Nils emotions have gotten a bit tangled up with my Gene emotions. I wonder what it was like for Gene to finally put a face to my voice. I wonder what happens next.
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29 August 2005

Xenophobia?

***The New News***
Bakery of the Poets: The Store. Here is my brand-new money making scheme. heh heh. We have become partners with the grand folks at Powell's Bookstore and will be selling books through our website. So please, take a look at few of my favorite titles and use our search engine to shop for more books. There's more to be done in store. (Hah. I made a rhyme. I'm a poet and I didn't know it. Look, I did it again. Am. I. Not. Brilliant? Let me take a moment to reflect) Yes, in the coming weeks more things will be added to the store as soon as I figure out how to do the shopping cart thingy.
***The New News***


I love Powell's. Seriously, they are the only bookseller on the web that doesn't make me feel as though I've sold my soul to the devil when I buy from them. They are a bookseller and are so clearly about books. Author interviews, essays, criticism, really great, kinda funky editor's/staff picks. They're the Berkeley of online booksellers. Even if they are in New York.

I try not to hold that against them.

I live in Northern California, which is this place of temperate climate and at times, astonishing beauty, and a cool, eclectic population. And I love it. I am, however, ruined for almost any other state.

Now, I'm a pretty easygoing girl, the past couple of days of whining notwithstanding, but after 27 years in Nor Cal I don't think I'm capable of moving to another state.

Actually, I should rephrase that, most other states. I could live in Washington, I'm pretty sure. It does rain a lot, but I like rain. Plus, they have islands...and ferries. I like ferries a lot.

I could live in Maine. I think. They have foliage and poetry. (don't they?)

I love the idea of New Mexico. And if I were to move there, I'd live in Sedona not Santa Fe. I read a Martha Grimes novel set in Sedona, and it seemed like an outrageously interesting place. But the problem with New Mexico, in fact with that whole SouthWest-ish area, is the heat! It gets crazy hot there! So, clearly New Mexico is out. And Arizona, and Texas.

And that whole area to the right of Texas.

The middle won't work, because they have various and sundry devastating storms on a regular basis.
People complain about California and earthquakes, but for the most part, our earthquake issues are pretty tame in comparison with many kinds of scary storms that carry away with wind and flood with rain certain places in the middle...every year!

Fugedaboudit.

Plus, I require water. I need to be near an ocean. Something about having the tidal push and pull nearby regulates my temperament.

Does that make me Xenophobic? Or do I mean the other thing?

--dB
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03 August 2005

There's NOOO Butter In Hell!!!

There really isn't. I've checked. And there is no butter in hell. So why should such an obvious statement of simple fact gives me the giggles every time I think of it? The blame rests entirely upon the manifold talents of Ian McKellan who plays the scruffy, hygiene-derelict and practically incomprehensible religious zealot, Amos Starkadder of Cold Comfort Farm. Though he may by far, be one of the least odd characters on that benighted place. There have always been Starkadders at Cold Comfort Farm, so there are quite a few people scattered about the place who are certifiably as mad as snakes.

If you don't believe me about anything else. Trust me on this, watch this movie. Start a new tradition, get a bottle of wine and a few friends, and discover why the phrase "There's no butter in Hell!!!", should be so darned funny.

--dB 
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18 July 2005

"Yes sir, Cap'n Tight-Pants." -- Kaylee, 'Firefly'

All hail Firefly! All hail Serenity! All hail the Sci-Fi Channel!

So Firefly is being re-aired on the Sci-Fi Channel starting Friday. Ohhhh....yay. You do not understand the nature and the depth of my obsession with loving this show. Omigosh. Hot dog.

Each time the promo airs...when it starts, I tell myself that I will absolutely refrain from 'Wahoo-ing' at the end. I am, after all, a nearly 31-year old adult, fully capable of a normal amount of self-control. It isn't as though I haven't seen every episode...y ou know...a hundred times. It is not as though I can't quote long passages of dialogue from abso-frikkin' memory. Given the givens, there is no call ('call'...see...'call', positively marinated in Firefly-ness, I am) for letting out a big ol' 'Wahoo!!!' as the promo fades to black and punching the air with both fists!

Invariably, the promo comes to an end and (usually in mid discussion with self) a big old 'Wahoo' erupts from my lungs and my arms are raised in enthusiastic victory.

There is something wrong with me.

Really and truly.

Because I haven't even gotten to the best part of this little episode. Yes, Firefly will be airing on the Sci-Fi Channel, beginning this Friday. But I will not be watching. I'm psychotic; which bring's to mind a whole other Firefly remembrance, which hopefully you guys will be able to enjoy, when the show begins airing this Friday.

That's the point. I'm this excited. Yes, this excited, not because I will be able to watch Firefly on TV again (cause believe me whenever I need a Firefly fix I rent the dvds, no commercials and no waiting until next week), but because everyone else will. The actors, writers, directors, production designers and costume and lighting designers are all tremendously talented. This show, butchered by Fox and canceled without ceremony, deserves a second chance.

It is pretty PG-13, in places. You're going to want to exercise your own discretion. But oh, my goodness. There is so much junk on the air waves right now that is far more intense and is getting safe passage from the networks.

I. Love. Firefly. Yay.

Okay...
Okay...

WAHOOOOOO!!!!!!!!!!!!!!!!!

I'm gonna order the discs.
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13 July 2005

Oh save my aching arches

So have you noticed how some of the captions of the emoticons don't really match the icon itself?

I'm in a bit of a noticing mood tonight. Which is why I started reading back through some of the old posts. I found them amusing, even if I do say it myself. They are pretty darn good. The entries I've been writing lately sort of suck, but, once upon a time, I was a good writer.

Ahh, for the good old days. Anyway, I have this friend (whom I love worship and adore) who is just a little half-baked. Not incompetent exactly. She (may she live forever) has a tendency to not quite dot her eyes and cross her tees (yes I know) in rather a big way. And I myself am a compulsive 'T'-(see I can do it when I try) crosser. I have to know all my ducks are in a row. I like to have a plans A, B and C all spelled out before I start something.

So what do I do? Something incredibly stupid. In an effort to make myself and this site financially viable, I have mixed myself up in a project with my friend. You know how people say, you shouldn't mix business and friendship; well we are a perfect example of that particular truism. She's great, and I'm great. But just like everyone else, we have our little neurosis in particular areas. In this case, my neurosis and her neurosis are completely incompatible.

Everything is going to be fine, it will all work out, but in the meantime, I'm stressing. I'm trying not to call her every ten minutes because somewhere in the region of my higher reasoning faculties (which still have control over my motor skills) I'm aware that compulsivity (hah!) Is terribly unattractive.

So until it all works out, I'll be over here in my little corner of the room chewing my thumbnail and not panicking.

'Til tomorrow.

Except no, wait. The dogs. I'm house sitting for friends and they have the most adorable floppy-eared, long-bodied, short-legged pair of mutts you could imagine. They're called Lady and Honey. They remind me of me and my brother when we were kids. Honey is like Jason, small, wiry, always ready to grab the spotlight or be on the go, always banging in or out, usually with some gross kind of show-and-tell cupped in his hands. Lady is more like I was, friendly but shy, usually sitting in the corner of the room trying not to be noticed by my mother, for fear she'd send me outside to play when I'd rather be reading or listening in on a conversation that didn't concern me. They are very cute dogs.

a domani

--dB

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16 January 2005

The Library book

I love libraries. They are, quite literally, the places on earth I feel most comfortable. Reading is a solitary experience, but the communal nature of library reading infuses it with a sense of...family, in a way. We belong to physical families as a result of genetic similarity, library familiality is a result of like-mindedness.

My favorite thing, which is what has happened with my current book, Readingsby Sven Birkerts, is finding the receipt of a previous patron stuck between the pages of the book. Indulging myself in Birkerts' musings about reading and time and the human condition has opened a doorway to a place I barely remember but for which my longing has never died. That pure...simple place where exists the exquisite and innocent joy wrought by everything related to reading.

Books...the way they smell, the weight of a volume in hand, the texture of the page...are approached with the pitcher's intent ritual treading of the mound, with the sommelier's expert palate. Reading...that moment when when letters and punctuation vanish from the page and the mind leaves this world and enters another...is a meditation, a cleansing of thought and an unfettering of spirit. It's a way of taking a vacation from one's self. To view the world through new eyes, to experience our hearts desires expressed in words we cannot find ourselves; "we read to know we are not alone", as someone said.

So a year ago, this guy in Napa checked Birkerts' book out of the library. Readings, which is basically a book about books and the way in which they can help us make sense of our swiftly tilting, sharply spinning world; or if not make sense, at least give us a vocabulary with which to express our confusion. I love Birkerts' clear, spare, unsentimentalized sentiment, he expresses his thoughts in a way that gives me plenty of room for my own and I find the experience of reading Readings rather like enjoying a sherbet after dinner; a delightful preparation for the dessert of deep thought.

I wonder what Napa Guy thought? Does he feel as I do about Birkerts's writing? Does he find it difficult, as I do and Birkerts does, to reconcile our present with our recent past and near future? Does he relish the gifts of libraries and of books as much as I?

03 September 2003

Will the real General Cranky please stand up?

I live in San Francisco. I'm in San Francisco. I am living in San Francisco. Weird. I've lived twenty-five years of my not terribly big, not terribly interesting life, in one not terribly big, not terribly interesting town on the outskirts of the Bay Area. But now, I've moved to the City on the Bay, where everything is considerably larger...except for me. I am sinking like a stone to the bottom of the ocean and soon my body will collapse into itself, unable to bear the pressure of the vast, dark, deep. It's an odd feeling. You spend your life surrounded by people. The same people. That isn't what it sounds like. It's not boring, or confining or annoying. Okay...it is all of those things. But it just isn't those things. There is comfort in living your life among people who have known you all of your life. People who know your moods without explanation. Growing up in a semi-small town is a little like living in the theme song to CHEERS. However, being grown up in a semi-small town make you remember the first word of that song. "Sometimes." There comes a point when you would like to change, or would like people to notice the changes you've already made by treating you differently. But of course they don't. You're like wallpaper. They looked at you once when you were nine and haven't really taken a look to note the changes the years have wrought. Anyway, enough whining, presently, I will sort myself out. Yes, I feel a little isolated. Yes, this is a big adjustment. But yes, I'm glad I'm here and yes I love this city. And yes, soon, you'll have to watch my dust. ---dB