30 in 30. Ha! Yes,yes I know. My resolve held for two whole days. I do however, have an excellent excuse. I forgot and then fell asleep. So now we begin again. 30 posts in thirty days starting from yesterday. But enough recriminations.
BakerySL is up and running. Twice artists and arts sympathizers gather around a virtual fire and share our thoughts, argue and dream under virtual stars. We talk about the nature of art, the role of the artist in society, the corrupting and necessary influence of commerce and sometimes we just talk about movies. It's an amazing experience. Health and geography have isolated me from my idealist brethren, at least physically. But technology has made it possible for us to commune 'face to face'. A few nights ago we talked about popular culture and whether mass popularity/mass marketing and artistic integrity were incompatible.
The general consensus was, well, mixed. Some said that art done with the wish to make money was no art at all. Others said that it there was nothing wrong with creating with one eye on marketability as long as one doesn't compromise one's vision.
Truth to tell, my own thoughts on the matter are decidedly mixed. I believe that public opinion is a succubus that can suck creativity from the soul and skew one's view of one's work. Ever notice what happens when an artist becomes really popular? Take as an example, my love-hate-love relationship with the talent of Leo Di Caprio. He is talent as an actor is undeniable and yet, for a little while, his ego outstripped his talent. After Kate Winslet carried him through Titanic (don't get me wrong, he was good, but no where near as good as the howling estrogen-laden masses seemed to think)he turned in a few performances that were smug,even lazy. 'Everyone' thought he was great, therefore he was great...full stop. His ability to self-edit, suffered.
Whether an artist becomes famous and begins to bring thoughts of his press clippings into his creative process; or whether she craves more attention than the work is getting and brings that need to be noticed into her process; it hurts the work. Having other people in your head makes it hard to sit down with you and your creative core and say, 'yes this part here, does what I need/want it to do, but this part doesnt.'
Don't get me wrong, an artist needs confidence. The only way to stand before a canvas or sit down before a blank sheet of paper and create anything of worth, is to believe that you can. To in fact, somewhere inside you, have the belief that you are the only one who can communicate a certain, thought or idea or emotion in this specific way. There is plenty of time for doubt and self-hatred--before you sit down or after you stand up. But in the moment of creation there is none.
On the other hand, a girl's gotta eat. If no one is buying her work she's not eating, or she's working at a sucky day job and painting at night. Or she's cobbling together a few less sucky jobs to support herself and her work. Which eventually begins to suffer. Creative energy is just that, energy. There's only so much of it that can be drained away by nothing jobs (or even a really great non-art job, which in my experience, can have an even greater impact on one's creative energy bank)before the the work starts to suffer.
I don't think one should have to choose between one's art and the ability to make a living. I don't believe one has to. There's a lot of greed at the top which is making life unnecessarily difficult for the artist on the ground. The longer I work on Bakery, the more I'm amazed by the amount of greed involved and the basic unfairness-es under which artists struggle to support themselves.
And that is of course, why I do what I do.
"how tremendous the spiritual change that it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed"--Virginia Woolf, On Illness
17 March 2007
14 March 2007
One of the biggest challenges our artist support project has faced is finding a way for artists and friends to get face time with us and each other. BotP has international aspirations (we have artist friends in Italy, Ireland, Canada and Costa Rica) and I've always wanted us to be a moveable feast. We rely heavily on technology to communicate with volunteers and the artists we serve. Which is great for keeping costs low and maintaining our flexibility. It does, however, make it difficult to gather everyone around the fireplace, so to speak. Our artists can't really drop by for a casual chat and we've missed out on the electric energy that is created during those spontaneous 'jam sessions' of creative minds. Second Life created by Linden Labs has changed all of that.
Second Life is a virtual world which allows people to interact on many levels, business, social, entertainment and much more. It is a phenomenon which has become an epidemic. When I signed on in late August to see what it was all about, the number of accounts was buzzing somewhere around 650,000 and people were talking about whether or not SL accounts would hit the big 1mil by year's end. That happened in October, and last week the number of Second Life accounts topped 2.2 million. Corporate America is sitting up and taking notice; Sun Microsystems, Dell, NBC and MTV, to name a few, have all created places in SL. And now, so has Bakery of the Poets.
Artists will be able to come over and hang out to talk shop or just talk. We will have book readings (including one from our new author Eric Pardue) concerts and art shows. Our first building is nearly finished and should open sometime next week. To check out SL and BotP's virtual progress sign on at: http//www.secondlife.com
Btw: The SL learning curve is a bit steep (but like most things, it's easy when you know how), feel free to email me before signing on. We can arrange to meet in-world and I'll show the ropes.:)
Second Life is a virtual world which allows people to interact on many levels, business, social, entertainment and much more. It is a phenomenon which has become an epidemic. When I signed on in late August to see what it was all about, the number of accounts was buzzing somewhere around 650,000 and people were talking about whether or not SL accounts would hit the big 1mil by year's end. That happened in October, and last week the number of Second Life accounts topped 2.2 million. Corporate America is sitting up and taking notice; Sun Microsystems, Dell, NBC and MTV, to name a few, have all created places in SL. And now, so has Bakery of the Poets.
Artists will be able to come over and hang out to talk shop or just talk. We will have book readings (including one from our new author Eric Pardue) concerts and art shows. Our first building is nearly finished and should open sometime next week. To check out SL and BotP's virtual progress sign on at: http//www.secondlife.com
Btw: The SL learning curve is a bit steep (but like most things, it's easy when you know how), feel free to email me before signing on. We can arrange to meet in-world and I'll show the ropes.:)
13 March 2007
The Ol' One-Two. Or a little something I like to call; 'Thirty in Thirty'. Or why Wil Wheaton is ruining my life
So I'm a fan of Wil Wheaton's blog. It was required reading for a loooong time. Then I lost track for a while, went through a time of no computer and then he went through a period of no blog, ships passing in the night. Anyway, I started reading again yesterday. My timing could not have been worse. Sadly, for me I can never resist a challenge whether it's a book meme or a challenge to do thirty posts in thirty days. Suffice it to say, right now I hate everybody. Hah! Didja miss me? Ready? Well, here we go.
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